A Piece of My Mind: Three Strikes for Writers
     Bennet Pomerantz

Sin has many tools, but a lie is the handle which fits them all.
    ~ Holmes

O, what a tangled web we weave, when first we practice to deceive.
    ~ Sir Water Scott

This has not been a good year for writers in general.

First strike (say what you want -It's Baseball season!), there was James Frye and his A Million Little Pieces with the issues of fabrication in journalism and biography. (We don't need to recap that media darling, do we?).

Second strike, there is The Dan Brown Affair about the suit stating he plagiarized parts of his novel The DaVinci Code. It is now settled in a British court that his research was research.

Now the Pope is hoping mad about Brown and his Code book and the movie being released this month, saying the book is anti-Christian and against church ideals in its meaning and thoughts. The Pope further states that  we all need to boycott the book and the movie. Well Mr. Pope, Sir (I hope that is PC enough for him), the book been out for almost two years, you took your time in being mad. Besides if you tell someone DO NOT do it, they will do it just to show you up.

And now for Strike three

A 19-year-old, first time author Kaavya Viswanathan's highly publicized novel How Opal Mehta Got Kissed, Got Wild and Got a Life has been pulled from the book shelves, brought down by her acknowledgment of borrowing from fellow author Megan McCafferty's two novels, Sloppy Firsts and Second Helpings. Many readers allege that at least 40 passages "contain identical language and/or common scene or dialogue structure."

As I've said before in previous columns, stealing is stealing.  Her so-called borrowing is a crock of horse pucky, I need my hip boots to wade in her crying "I'm Sorry." I say this, in my opinion, shouldn't have somebody checked this book more carefully before it hit book shelves and audio bookstores? Won't this effect many now first-time authors? How hard will editors be on books now? Will agents be more careful sending books to editors?

Her publisher Little Brown pulled the first printing run of 100,000 units before McCafferty's publisher, Crown (a Random House company), could sue them. Little Brown also had to pull ads, correct their catalogs and eat a lot of media crow . . . and that costs a lot of money. Maybe enough for another first-time writer to get their chance. Random House must be smiling at this news - it's not their books in the negative media spotlight this time.

So the issue is why do these people do it?

I wish I could answer that question. We are not talking public domain works either. We aren't talking a word or a phrase. We are talking about 40 passages of text. One of the best article regarding this subject matter is from Sue Raines's articles in the Fiction Fix's archives. I won't reprint a word here,Sue... I promise!

However Miss Viswanathan is not the first nor will she be the last. Alex Hailey did it for his best seller Roots. Jacob Epstein acknowledged plagiarizing Martin Amis' The Rachel Papers for his debut novel, Wild Oats. Doris Kearns Goodwin did it in writing The Fitzgeralds and the Kennedys, she took text from author Lynne McTaggart

Well in my schedule this month is the Book Expo America in the DC convention Center (Yea, Home team advantage for once!...I can sleep in my own bed this year!). The dates are May 19-21. I bet these three issues and many others will be a hot topic for discussion on the convention floor. I can't wait to hear what the industry people say. And I hope to meet a few readers of this column, as I did last year in New York

In regards to what people say, I would enjoy hearing your opinion on the subject matter of this column or any other issues regarding writing in general. Drop me a line. My email address (REMEMBER-No attachments please) is [email protected],

So, until next time keep reaching for the stars!

****
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